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  • Who We Are
    • At a Glance
    • Impact
    • History
    • Board
    • Supporters
    • Staff
  • what we do
    • Why Theatre?
    • How We Work
    • International Projects
    • Performances >
      • Beyond the Mirror
      • Bhopal
      • Romeo and Juliet
      • The Mechanical
      • Cozmic Jazz
      • WERK
    • Lectures / Workshops
    • Young Audiences
    • Stilt Band
  • Where We Work
    • Map
    • Afghanistan
    • Myanmar (Burma)
    • Russia
    • Malaysia
    • Azerbaijan
    • Haiti
    • Guatemala
    • United States
    • India
    • Balkan Projects >
      • Performing Artists for Balkan Peace
    • Other Projects - Highlights
  • Media
    • Latest News
    • Blog: BST on the Road
    • Newsletters
    • Press
    • Photo Gallery
    • Video Gallery
  • Get Involved
    • Donate
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What We Do > Performances > Werk

WERK

WERK is a visual, physical, and musical exploration of working, focusing on the rhythms, dynamics, emotions, textures, poetry, flavor, and materials of work (fabric, grain, water, paper, and other tangibles). The piece reveals the beauty of work—its design, sounds and sensory aspects—as well as its raison d’etre: subsistence, power, survival, pride or pain. WERK pays attention to labor which does not get acknowledged, and pays homage to human self-sufficiency and resourcefulness.

The Play

The story follows a young woman of limited means and her baby from job to job. While searching for leftover food in the local marketplace after closing time, the woman finds assorted materials in the trash with which she creates a makeshift, but cleverly designed, baby carriage. A young businessman sees her quirky invention and steals the design idea as his own. A factory is built on the site of the marketplace and assembly line workers hired, including the young mother. Much to her surprise, the factory is fabricating baby carriages identical to her design.

In the piece, labor which directly applies to daily survival is contrasted to work in which the products of one’s labors are unrelated. Both the pleasures and perils of work are illustrated, with more than a touch of humor, the overarching statement being: to be human is to work.

The play has a non-linear and metaphorical quality which is achieved through stylized actions, masks, dance and music. Verbal language is not used in the piece, and actions are skillful and precise. The ability to communicate ideas without language is a Bond Street Theatre signature.

Project Supporters

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From the Press

“Using great rhythm, expression, and special effects, their performances delighted the audience. Excellent physical expressivity and musicality.” 
- Estado de Minas, Brazil
“The production was thoroughly entertaining while at the same time addressing some interesting issues…. The company’s ability to address a complex topic without verbal language was remarkable. …Even my children loved it!”
- John P. Dwyer, Country Director, US Embassy, Brazil
“Bond Street’s work is always refreshing and immediate. Catch this innovative new show.” 
- Woodstock Times, USA
“Breathtaking and funny…their actors so well trained in all varieties of physical theatre.” 
- Augsburger Allgemeine, Germany

Who we are

At a Glance
Impact
History
Board
Supporters
Staff


What we do

Why Theatre?
How We Work
International Projects
Performances
Lectures / Workshops
Young Audiences
Stilts

Where we work

Afghanistan
Myanmar (Burma)
Malaysia
Azerbaijan
Haiti
Guatemala
United States
India
Balkan Projects
Other Projects - Highlights

media

Latest News
Newsletters
Press
Photo Gallery
Video Gallery

Get involved

Donate
Intern/Volunteer
Host An Event
Shop
Contact Us
Ambassadors Login
Bond Street Theatre is a not-for-profit 501(c)3 corporation and an NGO in association with the UN-DPI.
Bond Street Theatre
2 Bond Street, New York, New York
​10012, USA

info@bondst.org
(212) 254-4614